![]() ![]() Simplicity combined with good sound is a great mix for Opto compressors. This set comes in AAX, AU, VST, and VST 3 formats. So, it is better used with spacious vocals and legato tempos. It is the slowest of all the plugins and has a unique mellow sound. The classic LA-2 sounds similar to the Gray but has a much slower response rate. I would say it is a medium-speed compressor. Also, it features slower recovery, so it is not as immediate as the Silver model. The Gray model has great warmth but a significant reduction on higher frequencies. ![]() So, I use the Silver model for any type of vocals and drums, as it is transparent yet punchy. The Silver model is the most versatile one with its fast time constant. I also like the user interface as it is simple with a few knobs, and also it comes with some great presets created by LA-2A users like Vance Powell and Ross Hogarth. These three models slightly differ in their headroom, compression knee, time constants, distortion, program, and frequency dependence. This plugin collection comes with three variations of the most sought-after emulations of the iconic Teletronix processor: the LA-2A Silver, LA-2A Gray, and LA-2 models. With their ease of use and smooth, transparent response, I love these three classic plugins when I work with vocal recordings. This plugin can be in VST, VST3, AU, or AAX formats. The compression sounds natural and enhances the fainter parts of any performance. For vocals, I often use it as the second gain reduction stop after another compressor, like a FET compressor. I use it mainly with vocals, guitars, and bass. ![]() The unit also has a Stereo Link mode to link the right and left channels or to use them like dual mono channels, adjusting them separately. I also appreciate that the plugin has the high-frequency makeup feature, which is handy when you don’t want those high frequencies lost in compression. You can control your tone with drive, gain reduction, dry-wet, and the sidechain section. These features ease my workflow significantly and give me more versatility for mixing and mastering. It is not only about the sound of this compressor but also modern touches like stereo link, drive, sidechain section, dry-wet mix, and the high-frequency makeup feature. Its slow attack and smooth character offer analog sound while having some modern DAW-friendly features. This plugin finds the sweet spot between the vintage sound and modern controls. ![]() This plugin comes in VST, VST3, AU, and AAX plugin formats 2. I usually use U2A for vocals, but you can also use it for acoustic guitars, pianos, and other acoustic instruments. I also like that it features an R37 sidechain filter network, onboard parallel processing, and a limiter mode switch, which are all great for musical and beefy leveling. Plus, the recovery control allows you to adjust the release time, giving you even more versatility. A great addition is the aging knob, which lets you switch between different L2A compressor emulations from a new opto cell to an age-old vintage device. This way, you can adjust the tube saturation and opto compression individually. The plugin comes with separate controls for makeup gain and THD injection, which gives you more control over your sound. It offers many flavors and makes your sound rich, thick, and bold. If you like authentic-sounding vintage compression sounds, Neold U2A is a great choice. Now that you have a general introduction to opto compressors, let’s look at some of the best opto compressor plugins today. Actually you can, but they are better choice for individual tracks. If you like the vintage analog sound like me and want your compression to sound natural, Opto compressors are the right address.ĭue to their slow character, optos generally should not be used for mix busses or mastering. What I also like about Opto compressors is the tonal color and sonic enhancement they add to the mixes. The result is natural compression with a nice warmth and richness added to the tone. I always use them individually on the tracks instead of on buses. I also use these versatile ones for smoothing out vocals, enhancing bass guitars, balancing guitars, enriching pianos, and making drum records sound more punchy. I mainly use them for vocals and bass, but today, there are many “optos” with a modern features added. They provide an organic and smooth compression while adding harmonic richness to your mix and work great with any track that needs a smooth transient. 4 Conclusion Best uses for Opto compressor plugins ![]()
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